Dana Gavanski Shares “Yesterday Is Gone”

Dana Gavanski recently announced her debut album, Yesterday Is Gone, will drop on March 27th via Ba Da Bing (US)/Full Time Hobby(UK/EU)/Flemish Eye (CDN).
Dana Gavanski Debuts "Yesterday Is Gone"

Dana Gavanski recently announced her debut album, Yesterday Is Gone, will drop on March 27th via Ba Da Bing (US)/Full Time Hobby(UK/EU)/Flemish Eye (CDN). Ahead of the album’s release, Gravanski has shared the title track, as well as an accompanying video. “Yesterday Is Gone’ is more of a straight pop song than the others on the album,” says Gavanski. “It’s about the intractability and muddiness of time passing. At the time I wrote the song, I was super into 60s pop music and the idea of what makes a classic song classic. I was toying between being more obvious in my lyrics and progressions while still tending to feelings hard to describe.” Its accompanying video, directed by Nina Vroeman, is vibrant, and features Gavanski. It was shot in Montreal’s underground Metro.

By turns break-up album, project of curiosity, and, as Dana puts it, “a reckoning with myself,” Yesterday Is Gone is an album of longing and devotion to longing, and of the uncertainty that arises from learning about oneself, of pushing boundaries, falling hard, and getting back up. Moments of beguilement splinter a backdrop of tenderly picked guitar, bass, synth, and poppier elements, which commune to produce her own kind of wall of sound. Each component is meticulously placed, yielding a deeply sincere response to the chaos of human emotion.

Yesterday Is Gone was co-produced between Dana, Toronto-based musician Sam Gleason, and Mike Lindsay (Tunng and LUMP). While Sam helped Dana bring out the tunes, Mike’s input marked the beginning of developing Dana’s sound. The two kept stripped it down to the essentials, keeping things bare and letting the songs speak for themselves. The album shapeshifted as it passed through the hands of Dana, Sam, and Mike, taking on different tastes, feelings, and visions. When Dana performed the songs with a band, they found new form again. She was intrigued by performers like David Bowie and Aldous Harding, who inhabit different personalities on stage, physically tuning themselves to their music.

“Often we have to go a little far in one direction to learn something about ourselves,” Dana says. The months of solitary writing and self-doubt testify to this, but they’ve led to Yesterday Is Gone: an optimistic, steely-eyed gaze into the future.