Shot entirely on 16mm film on location in Toronto and Los Angeles, the official video for Lowell and Icona Pop’s collaborative single “Ride” was directed by Lowell and Sylvain Chausée. The underground Toronto-based France-born video artist Chausée met Lowell at a warehouse party where he was showing an exhibit of his silent film “Zephyr” accompanied by an organ [seen here]. Lowell was so moved by Chausée’s projection of the 20-minute film of a journey through the Mojave desert that she asked him to work on her next music video. Chausée printed and developed the film for “Ride” by hand at Niagara Film Lab, one of the last motion picture film labs in Canada.

Originally invited by Icona Pop producer Martin Terefe to collaborate, “Ride” was written by Lowell with Icona Pop, Terefe and Florian Reutter (Tinchy Stryder) during sessions at Terefe’s legendary Kenseltown Studios in London (Adele, Lana Del Rey, Arcade Fire).

The song was inspired by Adeline and Augusta Van Buren who, in 1916 at the ages of 22 and 24, became the first women to ride motorcycles across the United States. In doing so, they sought to prove that women could ride as well as men and, subsequently, serve as dispatch riders during World War 1.

“Ride” collides perfectly with Icona Pop’s own brand of uplifting dance-pop. On the impulse of a California escapade, Lowell and Icona Pop sing idyllic lyrics of love, velocity, and uprising, as they race along the coast from LA to San Francisco. Well-armoured and un-baffled, Lowell’s version of the Van Buren sisters’ pioneering ride thunders into the Hollywood sunset cutting a wake of 21st century fearlessness to draft on. “Ride” is the ignition of meaning within the mischievous: it carries a message of individual and collective empowerment on vibrant melodies of pop abandon. It’s high time we all – female and male riders alike – “get on the bike and go”!

In Lowell’s own words…
“Ride” is for everyone out there who has been called “abrasive” for being bold, a “rebel” for rioting, a “shit-disturber” for disrupting the status quo, and, most of all, for all the bad-asses who get called “bitchy” for being BOSS.