Yesterday, Gem Club shared “Braid,” the track from the Boston band’s upcoming sophomore album In Roses. Recorded to tape at John Vanderslice’s Tiny Telephone studios with arranger/conductor Minna Choi and The Magik*Magik Orchestra (How to Dress Well, Zola Jesus). The band will be celebrating the release of In Roses with a special concert on January 31st at the Boston Museum of Fine Arts, and will also perform an all-ages in-store at Rough Trade’s Brooklyn shop on February 2nd.

Breakers, their 2011 debut, paired plaintive piano melodies with impressionistic lyrics. Made primarily in Barnes’s bedroom, the album displayed how music, even at its most minimal and hushed, could be cathartic, even transcendent.

For the new In Roses,  arriving January 2014 from Hardly Art, Gem Club have ventured beyond the isolation of the bedroom to record in San Francisco at John Vanderslice’s analog studio Tiny Telephone, choosing to record entirely to tape. Barnes worked closely with arranger and conductor Minna Choi of The Magik*Magik Orchestra, who, Barnes says, “helped reshape the new songs in fresh and unimagined ways,”  The resulting album is more expansive, more majestic, than prior Gem Club releases.  There are spacious, grand flourishes—the church-choir voices on “Idea for Strings”; the reverberating drumbeats that propel the melody of “Braid”—yet the music retains the intimacy of previous works.

Barnes is quick to note that In Roses takes a different approach to the landscapes of his world than before. “Whereas Breakers was more about the body and inward-gazing, the new album is about me looking out, relationships I’ve had or wish I’ve had.”  Many lyrics address “the crashing realization that lives are no longer happening the way we want.”  Other songs are elegies for those Barnes has idolized or loved, but has lost: “Soft Season” is inspired by the life and death of early-’90s gay adult film actor Joey Stefano (“I’m a boy on my back,” Barnes sings, “and I’m more of a man”); the harrowing closer “Polly” is a song he wrote about his relationship with his late aunt.

Beauty and Sadness is the title of a 1964 novel by the late Japanese writer Yasunari Kawabata, but the name could also serve to describe the music of Gem Club.  During one scene of the book, Kawabata writes, “He heard a sound that only a magnificent old bell could produce, a sound that seemed to roar forth with all the latent power of a distant world.”