SASAMI announces Blood On The Silver Screen: Director’s Cut, an expanded version of her 2025 album featuring reimaginings and remixes of its songs by friends and collaborators, including “Honeycrash (Angie McMahon Cut)” and “I’ll Be Gone (Patti Harrison Remix Cut),” both released today. Last year SASAMI shared “Just Be Friends (Soccer Mommy Cut),” which appears on the deluxe version of the album as well.

“Celebrating one year of Blood On the Silver Screen, I feel like I’m reaching the end of a three-album long cycle in my life, where I’ve stretched my brain and spirit into a lot of different realms of music making,” SASAMI explains. “Obviously B.O.S.S. is my sojourn into the linguistic world of pop, but I also stopped along with metal and folk and many other manners of music making along the way. This year I feel myself being pulled home to classical music, where it all started for me.”

SASAMI will be appearing alongside a chamber ensemble and guest performers this month on the Blood On The Silver Screen Reimagined Tour, which kicks off this week in San Francisco and then continues to Los Angeles and New York. “These March shows will showcase some re-orchestrated renditions of songs from B.O.S.S. and beyond, featuring a chamber ensemble of classical instruments instead of flashing lights and e-drums. Expect choirs and strings and experimental instrumentation from me and my guest artists- something different at each show.” Tickets are available now at sasamiashworth.com

The artist will be teaching a new online workshop through School of Song, taught online via Zoom lectures across 4 consecutive Sundays starting April 5th. Every week, SASAMI will give a lecture on subjects specific to her music making process with each class resulting in a homework assignment to write a song using the techniques discussed in the lecture. Some of the topics explored by Sasami in her lectures will include: observed patterns in pop music, starting a song with voice, exploring the album as a dissertation, plus orchestration, genre, and technology.

On Blood On the Silver Screen, released last year via Domino, Sasami combined her classical conservatory-trained skills as a player, producer, and composer with her fearless and bombastic stage persona to create her most realized music to date: the all-out SASAMI pop record. Working with co-producers Jenn Decilveo and Rostam, with SASAMI as sole writer, each Blood On the Silver Screen track viscerally captures a different thread of love, sex, power, and embodiment. “Pop music is like fuel,” Sasami says, It’s just invigorating.”

Sasami 2026 Tour Dates:

03/06 – San Francisco, CA @ Swedish American Hall *
03/14 – Los Angeles, CA @ Sid The Cat Auditorium ^
03/21 – New York City, NY @ Stone Circle Theatre ~

* w/ Cheflee
^ w/ Leng Bian & South Bay Harmony (Japanese Women’s Chorus)
~ w/ Katzpascale

order Blood On The Silver Screen: Director’s Cut HERE