Santigold’s third album, 99¢ , will now be released worldwide on February 26th via Atlantic Records. Santigold will kick off the year sharing more material and videos from the album with a tour to follow. Stay tuned to Santigold.com, which will be updated continually with exclusive content. In the meantime, watch the cameo filled video directed by Santigold and Trouble Andrew for “Who Be Lovin Me (feat. ILOVEMAKONNEN)”.
“I don’t make music for myself,” says Santigold, matter-of-factly. “I pay a lot of attention to that—making music that’s liked by more people than just myself.The 99¢ album cover features me shrink-wrapped among a cluttered mess of things—my life in a bag,” she explains. “It is about how everything is a packaged product for sale: how we package ourselves, our lives, our relationships.
t took roughly eight months to manifest her new vision, with assists from a mix of collaborators with poppier visions such as producers Patrick Berger (Robyn, Icona Pop) and John Hill (Florence and the Machine, Charlie XCX), alongside eclectic talents known more for globe-trotting sounds such as Vampire Weekend’s Rostam Batmanglij and TV on the Radio’s Dave Sitek. She went into the studio with them intending to make a fun record. “My last record had a seriousness to it,” she says. “This time around, it’s more playful—but still a commentary.”
99¢ came together primarily in New York City and Los Angeles, with a stint in Jamaica, where Santigold likes to do her lyrical heavy-lifting. “I have a place there in a tropical forest, with a balcony overlooking endless trees, and in the horizon, the ocean,” she says. “You get up at seven in the morning, and the lyrics just pour out.” Her vantage may have shifted, but 99¢ remains grounded in her aural anchors: bold rhythms, glitched-out melodies, and morphing global sounds.
Buoyancy was important to her, but so was capturing a depth of sounds and emotions. As such, life-affirming exhortations like the African-beatific “Banshee” and the new-wave “Rendezvous Girl” coexist alongside ethereal, existential tracks such as “Chasing Shadows,” “Before the Fire” (co-written with indie-soul artist Sam Dew), and “Walking in a Circle.” The latter “was about how I sometimes feel as an artist in this climate. Feeling stuck,” she says. “It’s about this struggle to find a fun place.”
Today, any of her dissents veer toward the contemplative. “I wanted to write some songs that felt very personal,” she says. “Before Santigold, in my other band, I used to write songs like journal entries. And I tried to write a couple of songs on this record where it was really about me and my experience.” Though, in true Santigold form, she balances the introspective moments with humorous ones in songs like “Who Be Loving Me,” a lighthearted boast about fan adoration, produced by Zeds Dead and featuring ILoveMakonnen.
“You could go around being annoyed all the time, or you can go, ‘This is crazy and actually funny.’ Then you can play around with it, and make great art,” she says. “This album has required me to be more open, less of a perfectionist.” Ironically, that’s made the prismatic 99¢ her most ambitious album to date. “I realize that my work is a collage,” she says. “And I can pretty much take that anywhere.”