“Running Into You” The Cribs

The Cribs, have announced, they will release their the self-produced full-length, entitled Night Network on November 11th via Pias.  Ahead of the album’s release, the band have shared a video for album track “Running Into You.”

The Cribs on the video for “Running Into You:”

“Well, we’ve been gone for the last couple of years, so we wanted to channel the spirit of the inevitable ‘Cribs-mania’ which we are sure the news of our comeback will precipitate…hence the full on “media takeover” theme of the video…It was great to work with Sam again, our relationship with him goes all the way back to our very first headline tour which we undertook along with his band 10,000 Things – and we have considered him part of the family ever since. It’s an honor to have him involved”

Having released their Steve Albini engineered album 24-7 Rock Star Shit,  in August 2017 the band almost immediately parted company with their long time UK management and found themselves stuck in what Gary describes as a “legal morass”, unable to record or release new music, so touring wasn’t an option either. That meant 18 months of fallow – heartbreaking stuff for a band who’ve known nothing else in their adult lives. “At one point we were actually so disillusioned with what had happened, we didn’t even know if we wanted to get back into the band any more,” says Ryan.

Three years later, The turning point came at the 11th hour, in the late summer of 2018. The Cribs had been invited to support Foo Fighters at Manchester’s Etihad Stadium, in what could very well have been the band’s last hurrah. Enter the brothers’ knight in shining armour, and childhood hero, Dave Grohl. Hanging out backstage, chatting over a few post-show drinks, The Cribs confided their recent struggles to their new friend. “Dave was just like, ‘Forget about all that business stuff, just come out to LA and make a record at our studio’ – Dave made that offer to us,” Ryan recalls

The three brothers are now scattered over nearly 5,000 miles, with Gary in Portland, Oregon, Ryan in Queens, New York and Ross in Wakefield, West Yorkshire. When they gathered in the UK for a family Christmas in December 2018, they began working on songs in Ross’s garage, and found the creative juices flowing.

The songs came together fast, and when they finally contacted the Foo Fighters and said they’d be keen to take them up on the offer, they were offered a window of studio time in April 2019 – a fixed date to work towards, and the impetus for a final push to sort out the miasma of business mess.

Their new found autonomy extended to the recording process itself – this is the first album to be entirely self-produced by the band. Engineered by James Brown (Foo Fighters, Arctic Monkeys) and mixed by frequent Cribs collaborator John O’Mahony (who also worked on ‘Men’s Needs, Women’s Needs, Whatever’ and ‘For All My Sisters’) the record took shape over two weeks in LA, plus an extra week of overdubs at Halfling Studios in Portland.

After that, no indulgence is made to the band’s struggle. Instead, it’s wall-to-wall Cribs bangers, the fruit of that special, symbiotic relationship between the songwriting, singing brothers, drawing on the boiled-down influences they felt had always been there: The Motown stomp of “Never Thought I’d Feel Again” and “Under The Bus Station Clock”, red and blue album-era Beatles (“Running Into You” and “In The Neon Night”, respectively), melodic ’70s style pop on “Deep Infatuation”, and even early work by their own band.

And they return with a familiar friend, too – Lee Ranaldo, ex-of Sonic Youth, and the man whose spoken word verses on 2007 track “Be Safe” helped elevate the song to anthem status amongst the bands legendarily devout fanbase. Here, Ranaldo plays guitar on “I Don’t Know Who I Am”– and Be Safe Part II (Be Safer?) it ain’t. The song started out as a jam in Ross’s garage which the brothers later tracked at 606, before Ranaldo layered sheets of white-noise guitar over the recording at Sonic Youth’s Hoboken studio, and a few backing vocals for good measure.