Good Grief by Rio Romeo album review by David Saxum for Northern Transmissions. The artist's LP drops on July 18th via AWAL Recordings

7.5

Good Grief

Rio Romeo

Romeo, we all know from Shakespeare’s tragic romance, also happens to be one of the most romantic new voices in indie music. Their new album Good Grief is a piano-heavy, heart-swelling collection of love songs that explore attachment, insecurity, self-reflection. Delivered with clarity and vulnerability, Rio leans into the classic tools of storytelling, with frightening vulnerability, without hiding behind too much production trickery. That directness makes the emotions feel sharper.

While many modern indie artists embrace analog haze to build intimacy, Rio Romeo goes in the opposite direction. The production is crystal clear on most of Good Grief, which gives the record a striking presence.The emotion comes from the writing and delivery, not just the textures. Exceptions like “Driving Home Homeless” and “JOHNNYSCOTT” use distortion and vocal effects to great emotional effect, but the rest of the album holds its power with clean arrangements and well-balanced vocals.

The record opens with “Orchard of One,” a gently upbeat track that uses an orange tree as a metaphor for a relationship that needs care to grow. It’s bright, summery, and bittersweet in equal measure. “God’s Got Something for Me” shifts the mood into something more vintage, with ragtime piano and Rio’s swing-like delivery evoking an old-timey cabaret feeling. “All Mine” and “Without You” both lean into romantic intimacy, the former warm and reassuring, the latter more wistful, building gradually into a soft declaration of longing.

One of the standout moments is “Driving Home Homeless,” a distant vocal effect that makes it sound like Rio is calling us from their car. Emotionally overwhelming, it’s full of grief, as if they’re on a car ride trying to outrun the pain, without much success.

The album is thematically narrow. Nearly every song revolves around love—its bliss, its grief, its aftermath. Although there can be depth in that repetition, this album edges toward predictability by the end. A song like “I Might Be the Problem,” where Rio reflects on leaving different cities only to realize the common thread is themselves, hints at other directions their writing could go. I hope future releases explore more of those layers.

Good Grief offers genderless love stories that invite us to slip into them without needing to translate or bend language to fit. Rio Romeo knows how to balance vulnerability and theatricality, and when they push into deeper emotional terrain, the result is gripping.

order Good Grief by Rio Romeo HERE

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