Primavera Sound 2025 Photo Recap Day 2

Primavera Sound 2025 Day 2: Heart, Noise, and the Beauty of Contrast
After the explosive energy of Day 1, Day 2 at Primavera Sound 2025 felt more grounded, focused, emotional, and full of moments that reminded us why this festival still matters after all these years. There were heavy guitars, big feelings, and more than a few sets that stayed with us.
The deepest impression came late at night with TV on the Radio. No screens, no extras, just a band locked in, playing music that felt bigger than the stage. “Wolf Like Me” was a storm, and “Province” washed over the crowd like something sacred. Tunde Adebimpe’s voice was as raw and alive as ever. It wasn’t about nostalgia, it was about presence. This was a set that reached deep.
Earlier in the day, Waxahatchee played a glowing, heartfelt set that felt like it came from somewhere deeply real. Her voice rang out clear and strong across the late afternoon sun, giving the day a kind of emotional anchor. The highlight came when she brought out MJ Lenderman for a guest spot, a quiet surprise that landed with real weight. Together they created a warmth that stayed in the air long after.
Feeble Little Horse lit up one of the smaller stages with noisy, unpredictable energy — charming in its chaos. It felt honest, like a band still building their own language.
Beach House played one of their best Primavera sets to date. Their dreamy, slow-burning sound turned the Parc del Fòrum into something otherworldly. Under the sea breeze and soft lights, songs like “Myth” and “Space Song” took on a quiet power that stopped people in their tracks.
The Jesus Lizard flipped that quiet on its head. Loud, aggressive, and completely unfiltered, their set was a glorious mess of sweat, shouts, and legacy. David Yow threw himself across the stage like a man with nothing to lose. It was beautiful, brutal, and unforgettable. With the memory of Steve Albini still fresh for many, this set hit harder than expected: a moment of tribute through sheer volume.
HAIM owned the main stage with joy and muscle, playing like a band both totally in sync and clearly excited about what’s next. Their connection with the crowd was real, no gimmicks, just presence and perfect timing. With a new record coming soon, this felt like a band stepping into their next chapter with purpose.
Wet Leg and Wolf Alice both held strong, confident ground in the big slots.
High Vis brought grit and urgency, Stereolab were hypnotic and weird in the best way, and Floating Points closed the night on a high note, all textures and warmth, sending us off in a soft daze.
Also on the main stage, Sabrina Carpenter drew one of the biggest crowds of the day: a vibrant, full-throttle pop performance that highlighted the range Primavera now embraces. From noise rock to high-gloss melodies, the festival’s contrasts remain its greatest strength.
Day 2 wasn’t about chasing viral highs. It was about letting the music hit, loud or soft, old or new. And that’s exactly what it did.
Scroll down to relive the best moments of Day 2 Primavera Sound 2025 with our exclusive photo gallery.
- Beach House
- Beach House
- The Hard Quartet
- The Hard Quartet
- HAIM
- HAIM
- TV ON THE RADIO
- TV ON THE RADIO
- FEEBLE LITTLE HORSE
- Floating Points
- Wolf Alice
- Wolf Alice
- Stereolab
- Stereolab
- THE JESUS LIZARD
- THE JESUS LIZARD
- Wet Leg
- Wet Leg
Words by Alberto Dal Santo
Pictures by Alberto Dal Santo, Sergio Albert, Christian Bertrand, Sharon Lopez, Gisela Jane, Clara Orozco and Eric Pamies.
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