Los Angeles duo Girlpool, comprised of Harmony Tividad and Cleo Tucker, has released a new track with contributions (keyboards, guitars, backing vocals, and mixing) from Blood Orange’s Dev Hynes titled “Picturesong.” Of the song, the band say “picturesong is a word invented to explore what we create in each other when we want to feel deep love because of loneliness or otherwise, and brings into question the reality and delusion of the things we feel,” while Dev Hynes says “i’m such a fan of Girlpool, and loved working with them. Their harmonies are some of my favourites that are out there.”
Before the release of their last album, Harmony Tividad and Cleo Tucker relocated from their hometown of Los Angeles all the way across the country to Philadelphia, where they quickly became embedded in the local D.I.Y. scene. “Before BTWWB, I was just out of high school, living in my old neighborhood,” recalls Cleo Tucker. “Then we started touring in a way we’d never done before. I really started to experience the duality that was beginning to exist in my life: tour/not on tour.”
Over 10 days in August 2016, Girlpool holed up at Los Angeles’ Comp-ny studios to record and mix Powerplant with Drew Fischer. For the first time, Harmony and Cleo were joined by a third performer, drummer Miles Wintner, a friend who easily meshed with the tightknit duo. The decision to add percussion came as a natural decision for Harmony and Cleo; “Cleo and I just were driving down the New Jersey turnpike when she mentioned that it might be exciting to expand our sound for the new songs,” says Harmony. “The songs we were writing had the potential of getting really climactic,” adds Cleo. “I think percussion adds a new part of the musical dynamic that we want to explore.”Girlpool’s eagerness to evolve should come as no surprise; in the same way that there were little traces of their self-titled EP on BTWWB, on Powerplant, the pair shed their old skins with more eagerness than before. “In some ways I feel more courageous and mature and in other ways I feel smaller and softer, sometimes even more fragile than ever,” says Harmony, adding that while the inner self is always changing, ultimately the end is a closer self-truth.
The 12 tracks that compose Powerplant grow and burn with greater fire than the duo have possessed heretofore. Both bandmates were heavily inspired by Elliott Smith, the Cranberries, the Cocteau Twins, Brian Eno, Arthur Russell, and Graham Nash; the influence of each appear in the record’s deliberate and intricate guitar work (“Fast Dust,” “She Goes By”) as well as its embrace of dissonant noise (“Corner Store,” “Soup”). Though they were living apart for most of the writing process, the pair still managed to write all but four songs together, another testament to their dedication to Girlpool and each other. Now 21 and 20, Harmony and Cleo confront projections, despondency, apathy, romanticization, love, and heartbreak with a more devastating emotional pragmatism than before. “Looking pretty at the wall is my mistake in love installed/While the moth doesn’t talk but in the dress the holes you saw,” they sing on opener “123,” perfectly refracting the truth. More humorous (but still heavily symbolic) lines are delivered with equal poignancy, like Harmony’s disclaimer on “It Gets More Blue,” “The nihilist tells you that nothing is true/I said I faked global warming just to get close to you.”