Emmy The Great has announced her third album Second Love, out March 11th via Bella Union.
“For a long time, I thought the album would be about technology and the future, so I wrote a lot of songs “about” stuff – like ‘Swimming Pool’ or ‘Solar Panels’ or about the magazines in ‘Hyperlink’,” says Emma. “But this didn’t feel right. It was only when I started using these things to write about love that everything came together.”
Like ‘Dance w Me’, a somber and sensitive ode to the complexities of love – “You can’t exist without fighting me. Oh, I respect my enemy,” Emmy sings, backed by the sampled voices of her LA housemates, while producer Dave McCracken, and musician friends Beth Jeans Houghton and O Karmina talk in the background.
Despite recording in tiny snatches, burrowing herself away in friend’s bedrooms, borrowed studios and hotel rooms – “If I had to write down the locations of every recording session the credits would have around 30 people’s houses in it”, says Emma – Second Love remains a resolute whole, a delicate balance of songs and sounds that mirror the personal discoveries she made while making the album.
“In 2013, in LA, I was optimistic about the world changing and rapidly advancing, but over time the optimism gave way to something more complex and fearful. Technology and ideas which seemed entirely positive now feel equally as dangerous,” Emma muses.
Emma’s own life path – a move from London to Los Angeles then to New York – brought new perspectives. “Each time I was introduced to a new city, I got really quiet and observant. I’d be on a rooftop or in some weird LA backyard party, and someone would tell me something, and that sense of spontaneous connection would find its way into a song later.” While trying to raise money for Second Love, Emma worked as a journalist, interviewing artists like King Krule, Dam Funk, Caroline Polachek, and Kele Okerere, and writing about culture for the Guardian and Vice – experiences which lent a new openness to her music.
“I’ve always felt that records are supposed to be “records” of your life when you made them,” she continues. “The entire album from ‘Swimming Pool’ to the final mix took around three years, and in this time my life progressed in previously unimaginable ways. I lived in three cities, I was single, I fell in love, made friends, new life came into my family and I found out what it is to be a stranger and to begin again.”
Acoustic guitars step into harmonies like dappled sunlight on ‘Algorithm’, distant sirens flicker and synthesizers echo as we fall into love-struck bio-mechanic balladry. “It’s about searching for meaning in the noise,” says Emma, “It encapsulates the feeling behind the whole album.”
“Constantly is inspired by Doretta Lau’s book collection about Millennials trying to make it in big cities, and partly by my own experience of trying to find my place in New York,” says Emma. “I was thinking of these glittering cities, alive with their own myths, and all of us scrabbling around trying to reach for them. I don’t need to tell you that the world can be a fucked up and scary place, especially for young people who are living in the future while trying to figure out if they have a future of their own.” How the future connects us, be it a constant reminder of our own mortality or a provocative and powerful celebration of human endurance, is at the core of Emmy The Great’s “Second Love.”
“In all the uncertainty,” Emmy concludes, “I couldn’t say for sure whether this is Utopia or Dystopia or something in between, but for some reason it only made me more certain of one thing: that, wherever we’re heading, we’re going to need music, and we’re going to need love. Second Love not only helped me reach this conclusion, it led me to almost every good thing that has happened to me in the last three years.”
Emmy The Great will be touring Second Love around the US next year, the following dates have been announced.
US Tour Dates
Feb 23 – Boston, MA – Cafe 939
Feb 24 – Brooklyn, NY – Baby’s All Right
Feb 26 – Philadelphia, PA – Boot and Saddle
Feb 27 – Washington, DC – DC9
Mar 1 – Portland, OR – Bunk Bar
Mar 2 – Seattle, WA – Barbosa
Mar 4 – San Francisco, CA – The Chapel
Mar 5 – Los Angeles, CA – Bootleg Bar